Grand Canyon
Arrived at the Canyon after 8 hours of solid driving from LA. After
a quick check-in at the hotel in Tusayan, made a quick visit to
the Canyon to catch the sunset ... and it was worth it!
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landscape orientation. Minolta Dimage 7Hi. Stitched by PTA, blended
in PS. Final FOV: 99 degrees. Rectilinear projection.
The following day, another big storm came through, and I was able
to capture this shot of the rain falling into the Canyon, with hints
of blue sky still visible in the sky!
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size (650kb). Technical details: 1image, hand-held, 45mm, landscape
orientation. Minolta Dimage 7Hi.
More notes on the Grand Canyon to follow ...
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Bryce Canyon
Arrived at Bryce Canyon in the early evening, in time to take a
quick look at the Canyon. Arrived at 'Sunset Point' at around 6pm,
but there were too many clouds for a decent sunset.
This was the scene we saw (you really need to look at the larger
versions, and pan around to appreciate the view!):
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tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended in PS. Final FOV: 162 degrees. Cylindrical projection.
The next day, went to Bryce Point for what is perhaps the most
cliassic of all Bryce views. It was hot, clear, sunny.
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tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended in PS. Final FOV: 214 degrees (before heavy cropping).
Equirectaongular projection.
Later that day, the clouds came back, and a major storm passed
through, and after that, some pretty heavy cloud cover which offered
some shade for a walk on the trail descending to the base of the
hoodoos. This is the 'view from below':
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size (967kb). Technical details: 3 images (1x3) - middle picture
not used, panosaurus tripod head (?), 28mm, portrait orientation.
Minolta Dimage 7Hi. Stitched by PTA, blended in PS. Final FOV: 109
(vert) degrees. Cylindrical projection, produced on it's side.
As you approach the end of the trail down amonst the hoodoos, you
ascend a very steep path aptly named 'wall street'. This is the
view from about half-way up, looking back down:
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size (220kb) Large
size (2.4Mb). Technical details: 13 images (3x4, +1), panosaurus
tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended by enblend. Final FOV: 154 degrees. Equirectangular
projection.
To view a 360 interactive panorama of Bryce Canyon,
click here.
A larger version is here,
but you will likely need to set '-Xmx196M' in your java plugin,
advanced tab, java runtime parameters, in order to view it
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Zion
After a couple of nights in Bryce, it was on to Las Vegas. But
one of the few routes to Las Vegas passes through Zion National
Park, and that was an irresistable side-trip. So Zion was the next
stop, and proved to be a great detour.
Soon after entry into the park, the images come thick and fast.
Here's a typical view from the road:
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head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched by
PTA, blended in PS. Final FOV: 135 degrees. Equirectaongular projection.
The beauty of Zion is in the color of the rocks, and the combination
of the rocks and trees. This is a typical rock formation:
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size (895kb). Technical details: 1 image, 200mm, landscape orientation.
Minolta Dimage 7Hi.
Another interesting formation:
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Minolta Dimage 7Hi.
After entering Zion
from the east, you soon pass through a rather amazing
tunnel. The building of this tunnel was, in it's day, a rather
amazing feat. To speed up it's construction, crews started from
the center as well as each end, and as a result, there are interesting
'windows' cut into the tunnel. Immediately after exiting the tunnel,
you start descending through the 'switchbacks' - an aptly named
section of road that quickly drops you through several thousand
feet. From the switchbacks, you can see this sight (the upper road
is visible at the far left, and the lower road is visible left of
center):
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tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended by enblend. Final FOV: 197 degrees (before significant
cropping). Equirectangular projection.
Once you descend to the valley floor, the road settles down and
you are able to enjoy the immense rock formations once again. This
was seen near the viistor center.
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tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended in PS. Final FOV: 134 degrees. Cylindrical projection.
You are no longer allowed to drive up the main park road (at least,
not in the summer). You must park at the visitor center, and take
a shuttle. The whole system is very smooth. The visitor center is
clean, spacious, pleasant. You park your car, and almost immediately
get on a shuttle bus. It was about 110 (?) degrees at this point
... a bit worrying as we were planning to hike!
At the very end of the road (the last shuttle bus stop), you can
walk on an easy trail that takes you into a canyon. After a while,
the foot-trail ends, but you can proceed further into the canyon
by removing your shoes and ... hiking in the river! This is the
scene at the end of the foot trail, where people are starting to
hike in the river:
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size (2.3Mb). Technical details: 9 images (3x3), panosaurus
tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended in PS. Final FOV: 113 degrees. Equirectangular projection.
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Las Vegas
Arrived in Las Vegas after an easy drive from Zion. Temperature
was around 115 degrees, and it was strange to see the skyscrapers
after traveling through all that barren desert. As always, the casino
parking lots are way, way in the back, and you have to walk a long
way in the heat, wearing your grubby traveling clothes, ending up
in the smokey, crowded, bustling casino. Check-in was a nightmare,
over 40 minutes in line for no particular reason.
Once checked in, it was out again to experience the night lights.
This is the facade of Belagio, the fanciest casino in Las Vegas:
This shot was taken inside the Venetian casino, one of the newest
and most elaborate:
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size (271kb). Technical details: 9 images (3x3) - middle row
not used, panosaurus tripod head, 28mm, portrait orientation. Minolta
Dimage 7Hi. Stitched and color balanced by PTA, blended in PS. Final
FOV: 142 (vert) degrees. Equirectangular projection, produced on
it's side.
In the morning, everything looks a bit less inviting ... this is
the view from the hotel window ... endless construction ...
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size (1.4Mb). Technical details: 3 images (3x1), hand-held,
28mm, landscape orientation. Minolta Dimage 7Hi. Stitched by PTA,
blended by enblend. Final FOV: 91 degrees. Rectilinear projection.
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Death Valley
After just one crazy evening in Las Vegas, it was off on the road
again, this time to Death Valley. The drive was interesting, through
lots of pretty bland desert landscape, but there were always hills
or mountains around to keep things interesting. Passed through several
non-descript towns, most notably Pahrump, Nevada.
First stop was 'Badwater', approached on a near-deserted road.
Watching the temperature rise steadily (rising from 110 in
Las Vegas!), on a near-deserted road, one's mind wandered to flat
tires and overheated engines (encouraged by the frequent 'radiator
water' stops along the way!). No cell phone reception here ...
Badwater is an interesting sight - a small 'visitor area' with
information signs and rather pungent toilets, and a boardwalk out
onto the salt flats, where water can be seen - water in the hottest
place on earth (124 degrees F (50 C) as indicated by the car sensor,
which seemed to be pretty accurate). After 20 minutes of picture-taking,
it was too hot to bear, and it was back to the car for a drive to
'Artist's Palette', then on to 'Zabriski Point' and Dante's Peak.
On the road up to Dante's Peak, we stopped off at 'Zabriski Point',
a viewing area for a particularly unusual set of formations. What
you are looking at is not sand dunes, but rather some form of solid
rock that has a gentle, smooth surface. There were a few other brave
souls at this location, taking in the view - but no one hangs out
for long, with the temperature being what it was (about 115-120
degrees) at this point!
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Leaving Zabriski Point, we continued on a steadily rising road, then take a side-road that
rises steeply up the mountainside to reach Dante's Peak at over 5,000
feet (Badwater was at 282 feet below sea level). The temperature
at the top was a relatively mild 90 degrees F - positively pleasant
after Badwater! This is the view from Dante's Peak. The white seen on the valley floor is salt,
left after water evaporates.
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After Dante's Peak, it was time to head out of the park, after
a brief stop at the well-stocked general store at Furnace Creek,
where a casual bar and restaurant looked pretty inviting. The temperature
remained above 110 F, despite the late hour. The last sight before
exiting the park was of a cluster of sand dunes, conveniently sitting
near the roadside.
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Eastern Sierras
Leaving Death Valley, which is one of the lowest points in the
world, you see the Sierra Nevada range from the eastern side. The
Sierras include the tallest mountain in the continental United States
(that is, excluding Alaska!) - Mount Whitney, at 14,505 feet. The
sun was setting over the mountains, and beautiful clouds filled
the sky ... and the temperature finaly dropped to the low 90s!
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size (312kb). Technical details: 3images (3x1), panosaurus tripod
head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched by
PTA, blended in photoshop. Final FOV: 94 degrees. Rectilinear projection.
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Yosemite
After a night in Bishop (elevation 4,147 ft), on the eastern edge
of the Sierras, it was on to Yosemite, entering the park from the
east on Tioga Pass (peaking at 9,941 feet). After travelling through
Death Valley and the hot desert, it was a relief to see green grass,
lakes, and trees - though also slightly boring!
This is a typical scene soon after entry to the park - water, gray
granite rocks, and trees
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size (1.31Mb). Technical details: 5images (5x1), panosaurus
tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended with Enblend. Final FOV: 176 degrees. Cylindrical
projection.
After descending down steadily to 4,000 feet, you pass through
a tunnel, then get a first glimps of the valley floor:
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size (250kb). Technical details: 6 images (3x2), panosaurus
tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended with Enblend. Final FOV: 129 degrees (before heavy
cropping). Cylindrical projection.
Soon after the view above, we entered the most visited part of
the park, the 'Yosemite Valley'. Such crowds! Cars everywhere, parking
lots full, crowded, hot - not a great experience after the refreshing
spaciousness of Zion. This is a typical scene on the valley floor,
though - pretty impressive!
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size (1.9Mb). Technical details: 4 images (4x1), panosaurus
tripod head, 28mm, portrait orientation. Minolta Dimage 7Hi. Stitched
by PTA, blended with Enblend. Final FOV: 85 degrees. Cylindrical
projection.
Here's a classic view of the valley:
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size (1.12Mb). Technical details: 4 images (4x1), hand held,
30mm, landscape orientation. Minolta Dimage 7Hi. Stitched by PTA,
blended with Enblend. Final FOV: 123 degrees (before crop). Cylindrical
projection.
After a day of walking around in the valley floor, it was time
to leave for Mariposa, a small town just outside the park where
our motel was located. On the way out of the park, with the sun
sitting lower in the sky, the following scene came into view:
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size (670kb). Technical details: 2 images (2x1), hand-held,
34mm, landscape orientation. Minolta Dimage 7Hi. Stitched by PTA,
blended in Photoshop. Final FOV: 89 degrees (before crop). Cylindrical
projection.
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California Coast
After a night in Mariposa, just outside Yosemite, we drove across the inland desert to
the California coast - Cambria - as small town about half-way between San Francisco and LA.
This is the first view of the coastline; weather was crisp, clear,
breezy, and decidedly chilly after a week in temperatures that hardly
fell below 90 degrees!
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size (577kb). Technical details: 1 image, 28mm, landscape orientation.
Minolta Dimage 7Hi.
I've been to Cambria several times, and no matter when I go, I
always see old British sports cars. Today was no exception; I would
guess there was a club meeting somewhere nearby, as there were perhaps
a dozen MGs, Morrgans, and other similar cars, all in perfect condition,
driving around town. Here are two good examples:
After a night in Cambria, it was on up the coast to Carmel. Sadly,
it was a foggy day, which tends to dampen the spirits, mask the
true beauty of the coast, and leads to less colorful pictures! Here's
a couple, though, that show some of the beauty of the coast - secluded
beaches, and a road perched on the edge of steep cliffs, with some
attractive bridges along the way.
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